The Ongoing History of New Music, episode 1091: Ten Traumas of My Chemical Romance

Alan Cross GlobalNews.ca

October 21, 2026 8:11 am

In the 1980s, hardcore punk was among the hardest, heaviest, and most intense genres in this arm of the galaxy. It was very heavy with testosterone. Speaking generally, the music was angry, confrontational, and anti-establishment. Sometimes anti-everything. The bands took no prisoners, and neither did audiences. Gigs could be very intense, places where rage was burned off with slam dancing, mosh pits, circle pits, crowd surfing, and stage diving that looked like an army battalion heading over a cliff at full speed. We had bands like Black Flag, Circle Jerks, Agnostic Front, the Cro-Mags, and Bad Brains. But the scene also had room for Hüsker Dü, a band from Minneapolis that introduced more melody into hardcore. And D.C. gave us Minor Threat, who, while still maintaining that hardcore spirit, lived a drug-free and alcohol-free lifestyle that they called “straight edge.” Sometime in the late ’80s, people plugged into the hardcore punk subculture started talking about a new flavour that grew out of whatever Hüsker Dü and Minor Threat were having. There were groups like Rites of Spring, Embrace, and Fugazi. Their music was still loud, hard, and often very fast, but there was something different about the lyrics… They were personal, honest, and even vulnerable… Things could get screamy, but there was no mistaking the emotion that came through… When Gen X entered their coming-of-age years in the 1990s, this emotional punk found itself rippling through the alternative nation… Its DNA showed up in bands like Nirvana and Weezer, while newer groups such as Sunny Day Real Estate and Jawbreaker stayed closer to the emotional punk playbook while also incorporating some of the sensibilities of ’90s indie rock. A couple of parts of North America really embraced this. The Midwest of the U.S. and the Northeast: New York, New Jersey, and parts of New England. By the end of the decade, emo—we’d already been calling it that for a while—started experiencing wider success. Jimmy Eat World, Alkaline Trio, Dashboard Confessional, Saves the Day. This set the stage for the main event: the emo explosion of the early aughts. And while many of the original bands continue to do their thing, one group in particular is doing better than ever. They took a genre built in tiny clubs and scaled it to stadiums. Yes, I’m talking about My Chemical Romance. But it wasn’t eas. This is a band with a career filled with trauma. Here are ten of them. Songs heard on this show (all by My Chemical Romance)